Is the time,
Let us again to kiss the Earth,
……
Back to abundant life Foundation
&Amp;mdash;— Luo Binsheng · Jeffers
A
I walked on the wilderness.
I looked at the horizon. When I think, one day it was separated by numerous buildings, I am not starting from treasure in the heart of this wonderful impressions. Horizon is a Terminal —&mdash to me; on my screen, it is the end of all lines. And to me the great landscape, it is silent and natural termination of Nausicaa of the loud chords, an eternal symbol of remembrance.
Late 40, United States poet Luo Binsheng · Jeffers wrote:
Civilization massacre us like a slaughter the rabbits
He had died. His evil curse of the were forgotten. Material at an unprecedented rate. Concrete mercilessly killing the land than desert. Regardless of the indifference to ignore or narcissistic, once as an endless source of art and history of this nature is changed. Pastoral poetry's aesthetic died, daizhierqi is “ urban ” “ Super City ” aesthetics, that is caused by the mechanical civilization of new aesthetic concepts and value of ecological environment in the new. With the gradual isolation of natural, congestion of the physical environment, crazy speed and rhythm, and make people overly sensitive, vulnerable, paranoid and self doubt. He was subdued by increasingly tight space, struggling in his self-harmony wish; “ instinct ” at this time was called out, become the equivalent of the supremacy of the spirit. Human eye is limited, so he tends to introspection, from their own behavior merits to discover a different kind of beauty in the cycle, from the subconscious must not contain the value of seeking ways to survive in the faculties of desire. Self-restraint, seek purification in the eternal aspirations disappeared, begins the true worship of the devil of human instinct. &Amp;ldquo; full of demons in the early 20th century literature and art as human beasts ”, it all counts as the highest moral example of modern art. As the art of flower of the human spirit, descended into a great symbol of the psychotic and the industrial age self venting of vomit. Stool into the era of the Museum. & Ldquo; us ” wings was a breakthrough in the field, “ art ” this century most abstract and meaningless to talk of.
Painting on the decline. Of the most tragic is that it is in such a place full of crazy revolution-dynamic and diverse schools of unprecedented era of decline. This is the era of human access to space; this is the era of life quietly extinction every day; this is a day “ noise ” born “ art ” era. But the symptoms of the decline and fall is a tissue surface of prosperity could not cover. It first was, as some kind of artistic ideal and passion of signs no longer. Wavering between the abstract and representational of some form only for assaulting an empty shell, filled with classical masks, decadent romantic attitude of hypocrisy, didactic realism of drama. All of these unpredictable and fleeting campaigns have had come from the great Greece and creativity of the Renaissance, but modern lines of the pet of big machine products. In this to escape for the revolution, to rebel for the purpose of self-care in the whirlpool and metamorphosis of mental analysis of expansion a self-obsessed art system of the people. Natural silently withdrew.
Proof of the fact that the depreciation of the United States, Plexus during the riots in world art of the start of this century, is of material by leaps and bounds of the value added in the same negative results. It also proved that material progress does not always mean of spiritual civilization progress; in other words, which are not always reliable signs of former prosperity. Maybe Yu Yu instead, with significant effect is that all the signs of the ecological crisis, on the aesthetics of symptoms or symptoms appear sooner than on economics, more shocking. In my view, this is a warning at least —— unlimited self-expansion, contrary to the nature, consequences of anarchy in the universe concept of revelation.
Whether Yang had a high fever caused by excited state how long to continue, and art are not so pessimistic about the future of mankind, a redevelopment order, restraint and self-discipline of the age of reason coming soon. People in the new, healthy Back for good on the basis of civilization and nature. Ideal reappears in the concept of harmony between man and the nature of nature. If the art neighborhood are more sensitive than others to respond to this harmony disappeared, then it should not just be passive to the latter's logic is complete. Art's mission is to rebuild this first harmony, even if only in ideal.
Perhaps, more art than science go back and look for a value of weed as early ……
It is my belief. Painting began in the spring breeze has regained consciousness, expressed this conviction. Although this is far from successful works all explanation, my title says it all. As I stare at the moment, brother man and it is moved by the warm touch of nature.
In the face of natural life forms were equal, harmonious, nonantagonistic. That's it. All this is very simple, very simple. People never tires of repeating a maxim: children's view of the world there, but I only found a hypocritical idealism on the innocence of gross indecency for adults. Viewpoint is given by the nature of the child, in his eyes, nature is not the object of the view. He felt, of his care and consideration is the same to him; he has not been occupied and distorted by the desire of pollution, he also did not provide for the natural position for his servility. He saw natural naturally. Indeed, art must regain the viewpoint, but I have to say, how difficult it is.
Two-
Beginning of the century when Franz. Mark declared “ tree, flower, land, all on me for a year by year more ugly, and emotional conflict and until natural ugly, it's not pure, fully exposed to me suddenly in my mind. ”
There is no more offensive than the tone. Naturally, as it has plummeted a play get fed up with prostitutes was abandoned. Irony is that shortly before the outbreak of the same nature was intoxicated frenzy. However, it not only ironic. Praise to natural beauty so fast into the natural beauty of negative, which is itself a positive of ecology.
Greatest change started in the First century on a site called the picture of the Sunrise impression. As the centuries of sacred art factory Studio collapse. Art to die Welt als Wille und vorstellung, inhibition of clustering is not available from the flood of light on the canvas. In this warm, greed and landmark in the gold rush, solemn classicism of dark religion was abolished, Lust instead of a reason. Written by Jean Renoir, art become a true pleasure.
On the natural beauty of the “ sprinkle &rdquo God;-sacrifice of hiding a deep crisis. While the impressionism which offend classical hereditary aristocratic aesthetic of scale, but because it responds to the substance hedonism, quickly accepted by the bourgeois salon, Plexus and lost revolutionary. Impressionism was with champagne and chunks of meat, riding on the train to go to the nature. They are reckless not express passenger, rather than the gardener; they trample on the Park was gradually deserted. Impressionism because of excessive sensual enjoyment and Saturnalia ran out of energy, because very often in the strong State of the most sensitive and tired. Impressionist period is much shorter than the classicism, it is no accident; it quickly went to the opposite of themselves. Impressionism was overturned by modernism, already mentioned earlier in its ecological reasons; in terms of social factors, the coming of imperialism and war; ills but also its own aesthetics —— in this context, the same rules of harm to the art and science, that is considered pure natural, you can object to its wanton looting.
Now I have a new masterpiece of joy, was cleaning a review of ancient masters. That is what a simple naive era! has not developed to such a deformity of the senses sharp, nature has not been spread out to reproduce the didactic degree, sound still plays a dominant role in the aesthetic imagination; maybe they did “ inability to draw spring reflective and therefore draws a goddess to fill in the blanks ”; However it is still natural, reasonable performance, as reflected in its apotheosis, prove that nature is the altar of the ideal, rather than a place for pleasure. The goddess of the spring is the perfect combination of nature and human model. This may be awkward, but the essence of, noble. I think the new goddess of our time should be sought, natural communication with past, present, future and become one of the new model.
Of the youth, this is an eternal theme. She itself can call ideal, the sense of poetry. Edward. Munk Centre where she was surrounded by deep shadows, her beauty is isolated, ephemeral, nervous. And I want to let her stay in nature, placed in was she means the combination of work and of land. Her hands are not pinched between the legs, to destroy the feeling of tension in the future; she's not naked, with branded clothes away youth soft, she belongs to a particular era; and she hands facing the sky is a typical modal, she was given a generalized symbol means. Here, I introduce the Sun, but it was for my performance, do not have fibrillation, sensory characteristics. It's tearing her delicate face, shadow of the it was the bleak era of footnotes, but the area is very small,; this is just a footnote. Hawk and another symbol of PEAR--also cast a shadow, they skirted the screen cast sharp but short sad. Them as “ youth ” opposite of the noble concept of the charge, is the equivalent of only on the composition.
I hope that I can cross the insufficiency of the waste, thus creating one of the most beautiful images of our time.
Observed that the concept of Pan-God of ancient masters there, I used to re-understanding of nature, I feel the need of a new consciousness. Under the sky in a child, I used a large white space to the sky to the King, has attracted criticism. In my opinion, this little boy with a density below blank because, so it is equivalent with him. This is I can never forget the impression; under the same skyA different life, so different people, isn't it a fullness of extraordinary picture it?
Three-
But necessary recognition, impressionism is still attractive. Those who screen the “ for the eye of a Festival, ” I believe, a person could not remain indifferent. Color, after all, activities that best meet the vision, it seems to exist purely for Visual, is the reward for which labor. But I realize that, for my art, color, is a trap. The more I attracted it reasoning, the more intense demands to stay away from it.
Impression of color “ network ” received before the end of the screen surface tension. This surface is pure joy “ material ” and therefore naturalism. Interesting is that the impression was that the dark color of the start of the classical Temple grew out of vision used to think is subjective; find their absolute objectivity is a new color photography. Color photographs confirmed the impression of the amazing feeling of colors, while also declaring this feeling of devaluation, as black and white photographs that have been previously rejected as a naturalistic sketch. Impressions of the essential elements of color – light of causality —— inherited by critics of Impressionism, but they feel their natural tendency must be rectified. Cezanne trying to color with the classical ideal hybrid of Impressionism; in practice, however, he's still not a process of making bodiless lacquerware from the Impressionist vision of the nature of color as the body, only for interpretation of color feature modeling and slip into a “ subjective ” naturalism. His sacrifice for his ideals of Impressionism color fresh and visual immediacy, and without the religious expression of color —— classical one. They still life is the real color of Physiology and Anatomy, he is unable to stitch up dismembered; his mountain like a crumbling monument, acquitted him on one side of greatness fails, other side heralded a wanton massacre —— coming of cubism, while Cezanne, I do not agree to the consequences.
Even complete sublimation color of romanticism. His liberation in Impressionism color from demonstration of optical, which declared the start of a new era of classicism to color symbolism, beliefs are of the age, the color is not subject to external light source, inner light more acceptable, namely guidelines of the soul; color cooling craze is not in him, but has some implicit, symbolic determinants of factors. That is the color of expressive deformation, it is subject to high more Director-of the whole drama of color-agnostic. So high more “ in so many high color into so many mysterious ”.
Necessary here and another Impressionist great rectification of Matisse with some comparisons. His famous motto “ art should be an easy chair ” has decided he is the heir of sensory pleasure. As with Gauguin, Matisse in color in the established order, weakening Jane of surface tension, was established in the static balance of harmony. However, this harmony is still senses, but more refined, is a cold magnetic surface; he constrained the wild colours of Impressionism, and applies just made a doll of bourgeois public aesthetic, lazy eye. Matisse with its colorful tapestries decorating his living room; Gorgon is a color that is not polluted corners finished his and Odyssey: who are we? where it came from? where?
But I feel, Gorgon is still too much emphasis of color sense of tension, limiting its performance. I stubbornly against the following doctrines (though this doctrine even from inside of me), the color is &ldquo strongly ” and “ gray ” to assess its value. I firmly believe that compared with rich and gaudy, pale is equally brilliant color, as the night of the day with the same intensity of aesthetic —— as long as it meets certain performance. For more information, in sensory enrichment place often lack of coexistence of the soul. Color of lechery as harmful, its result was that “ blond blue beast & Rdquo;, Carnival, was born in silence a faint chords, sketch the chords into color, night becomes the dawn – the most wonderful time of nature and art.
I used &ldquo in the snow geese; edge color ” laws. The snow goose is not a real subject. It consists of antique-style, is fully romantic on the content. Therefore provides a great place to experiment for me. I try to use strict overall reconstruction of the shape, color, composition of classical models, painting, music and poetry of the Trinity. The originals of the snow goose hybrid concept embodies a religion: male heroism and Platonic ambiguous hints of abstinence, fate the dark psychology, this incarnation for snow geese and biogas for pan-linking the power of God.
Question for me is taking bundles on plots of inertial and even become the popular interpretation of literature, is also based on the above factors analysis model of searching for literature. The romanticism of the snow geese put on a near-absurd, old-fashioned coat, Philip. leiyadeer die in war. In fact, in the works in the potential psychological experience, of fate he was called away. His soul was taken back to the Kingdom of eternal ice, his departure was a natural sense of perfect Nirvana. &Amp;ldquo; died ” meaning here does not have a surface of, but “ ” equivalent of poetry.
Here, “ the fate ” although the dark image of provided Philip. leiyadeer will die, but because of its image of serious nature and cordial and comprehensive, also have a rich poetic, and weakened “ evil ” meaning. Visual display of complete such a complex, rich in decorative strong color is obviously not appropriate. Need a tone that can arouse the hidden sorrow here, it is vague, bland and silent, but contains an inner tension, it works like a fog on the North Coast wandering; substance in it lost its natural color, looking forward to it gives. So I get some sort of music loudness, cold tones as the main motive (of fate and nature) contact with two other motivations: his and hers. All of the above content on top of the leading motives have emerged: the hidden passion in a quiet and lonely: quiver in the repressed desire, whispering softly in the silence, the United States suggest that —&mdash died in the evening; the tone I made this with hypnotic power, body of literature translated into poetry, and leave most of the plot to the text. I looked forward to in comics this a qualified form in the excluded plot--thus for this a Department little of works get has a species monument of scale--giant as I provides has two a important conditions: on natural of worship property of emotion to biogas to, and rocks these solidification of element sublimation for fate of symbol; “ plot ” in here is not power sexual of factors, as the in usually of novels in the as.
Four-
No one can dispute, motion function of literature, belongs to the art of time (in passing that, music of the time and the time is not the same concept of literature, its development is not plot-driven). While the painting is congeal, and instantly. Due to this significant functional differences, painting themes use literary content will inevitably become a vassal of the latter, Rodin had a detailed discussion on this point. &Amp;ldquo; ” the temptation is so strong, that in traditional painting —— particularly in realism in literature became a mania. Impressions on the content of escape literature, but in the uncertain light flows into a desire for dynamic in pursuit. &Amp;ldquo in modern civilization; ubiquitous speed ” more painting excited; futuristic declared race car more beautiful than the goddess. &Amp;ldquo; we reproduce the plot on the canvas, is no longer a congeal down moments of ordinary power, it is the driving force feeling itself straight. ”
This “ paint ” out of the efforts of the movement: the representational painting, complex into several side-by-side, picture pictures that can be moved, can overlap, they are a viewers point of view as the axis moves, movement is broken down in the body parts in movement, overlays, mutualPermeation and separation, in fact, on the Visual representation of their Athletic Association. Can see on the screen of the same form and in a State of sleepwalking as the various local traces of this sports most forthright expression of imitation is a eight-legged dog.
In abstract painting, with multiple lines of space implied is used, in its composition in the visual illusion may evoke feeling. The so-called “ light effect ” in the art in this kind of attempt is probably the most successful, and have it produce a dazzling effect of magic power; but still decorative features of a new gimmick.
If phase for literature and film,, “ still ” is painting maximum of defects, so in away from they of local, “ still ” why cannot became maximum of advantages does? stands in desert in the of a giant stone is does not dynamic of, because it right to became natural changes of monument; it occupies has space and time, it is a comprehensive body--I is such to understanding painting modeling of, painting accounted for has unique of moment, this moment flat is movement of pyramid shaped of Tsim angle. In fact, even in literature, by the time flow of the entire screen will still leave one of the most constant, on most points. In painting, this point is really be fixed forever, become permanent Zhan Ang object. Search for this moment is difficult, but once I found it, it will not be moved. Posed by this screen have the greatest psychological tension. Before it was described in it, indicating that after it; this description is not within the screen to achieve, but to make at the moment to congeal in the view of awakening mind experience of various experiences, but to want to copy out the real campaign. This moment make screen extension of the rich.
Painting of “-” (still images) is not a narrative in nature, it is a materialization of epidermal spirit. This can be compared to the rhythm of the music. If your picture is not a movement of the whole process of condensation, but sport —— literary, historical —— a debris, then it is--at best only if —— the latter a color and an attractive stop, an experience. It is itself the perfect description, provisions. On the screen, the image is the chance to be displayed; in addition to pure “ read ” meet and check up on the history of text outside of the review, it cannot stimulate the harmony of the mysteries of the universe is not speaking of empathy, that really evoke &ldquo us ” fibrillation of things.
Performance of music this is the most simple. Nobody can feel fired by the definition of a chord piano; but we who are experienced in that chord in my heart, nerves arising out of the most hidden secrets part thrill of pleasure. Painting of course cannot be compared with the music on this point. But I understand it the painting than literature, at least is closer to the music. A ideal screen of mode should is: it by select of moment dropped description this moment images of surface features outside, to immediately to views all of psychological sight introduction open this a features, rose to purely spirit experience of location Shang, to completed aesthetic process, even theme by qualified of task makes screen cannot avoid a species plot, also should immediately makes plot became minor of, is as shown in out body of aesthetic means. We can be observed in a number of works, although the subject matter they just literature or history of illustration, but since images are powerful modeling efforts to liberate itself and become immortal. In the history itself is the hand-over after the dust of time, people still in the midst of those pictures have new feelings, new thinking, new resonance. Not many can make this point. And more most of the paintings, though was quite a good artist, still became a victim of literature. In this sense, I agree with the views of Gustave Courbet, narrative history painting was not the appropriate means. And it almost is not any-related in a logical and appropriate means-to once again say that, like music heshi.
Five
Now again I faced with this theme —— nature and man. After the left literary realism, how would I from pure modelingFunction close to this topic in it?
It must be acknowledged that select for this purpose in various forms, of abstract experiment is important. It liberated on literature on the true meaning of the Phantom of the depression. It abandoned passive interpretation of the nature of art, photography after gradual improvement, that interpretation had actually lost significance in painting.
In fact, as a pioneer of abstract Kandinsky recognized from the outset, abstract in the final analysis is not an end. His vision of the abstract is a leading “ great realism ”, where “ it makes all kinds of things in their solid simple ‘ ’ met ” that is, its ultimate purpose is still “ reality of ”, but in the new municipal-level knowledge and reproduce the meaning of reality. But abstract doctrine emphasized intuition, instinct too simple abstract element in, “ ” met is basically to be aroused by all associations in the implementation of that single element. This “ met ” is the nature of a loose, often excessive liquidity, because of some abstract elements are often lost in practice guiding significance of degenerated into obscure symbols, the symbols inevitably leads to uniformity, and of similar, but is too boring.
Because of its pursuit of absolutely simple abstract painting quickly go to its own borders. Actually it will soon exceeds the technical possibility of symbol and sustenance to imply that the desire was so strong, so contradictory phenomenon occurred: have seemed absolutely essential nature of the image of on the one hand on the release, which itself denied any relationship between imagery and; on the other, and with a lot of theory as a guide for its symbolic meaning. Wonderful text expositions by Kandinsky and Klee and others are examples. Results must come to an extreme conclusion: abstract theory is the victory of victories.
Abstract mind of no doubt is correct. But since the form itself declared in the same painting the gradual separation of limited means, finally led to the end of the great crack. In its practice, looking to desire and to gradually become the ultimate purpose, and its consequences-the-art product as a minor, even black. In art, personal art there, actually already is in the form in which they appear from television, pantomime performance of photographic record; painting had actually does not exist.
So only with respect to a form, of abstract modeling functionality has been lost. Extreme reaction to this is super (photographic) realism. Which seems to be to restore the worship again on painting skills, and the modeling functionality to an extreme level of development. It with a magnified and therefore seems far away eyes again visits and the material, painting a new point of view. But after this surprise in the past, it still displays a large industrial city of horrible symptoms; and the recognition of the abstract compared to the extreme, it seems to be extremely rational —— but this reason is people, extremely cold, too complicated and there pose dramatic, also rejected expressionism of indulgence and scream aloud. It accepts simple composition of geometric abstraction, but for me the picture, this constitutes a start, and in the latter was completed. I choose detail, making it a strong unity, reject empty mode. In short, I pursued under the guidance of an abstract image of, or the image of the appearance and behavior in the matter of the abstract.
Awareness of this abstract also contains no plot and static screen. I draw a diagram of reconstruction in a natural, it was my consciousness into the, subjective, after rectification of, which was unknown for common view. It forces the audience into it from another perspective and aesthetic process started in the frame, in addition to the complete. It goes without saying that this process is not a prescriptive direction, re-creation of it encourages imagination and personal experience.
I must do to narrative: I wanted to paint on a Yi girl standing in the snow. I be showing her and the fields from the same source between the indivisibility. What I don't know, I don't know, for example,Say why she stood there, perhaps in; this kind of circumstances I do not need. I only need to show that the mysterious. For this purpose, I turn her head, and I feel harmonious had until that moment comes, so I fixed this one moment. No need for me to note that definitions of harmony and the cause of it. I know, I describe a story that no one knows, in the silence of the secrets contained in the picture. I would be happy to go with my audiences searching for the secret, and I know, our answer is never the same. There is more gratifying than that result?
My screen has no natural “ people ” illustrious mark, but it is not “ non-human ” it does not show civilization back; it is not “ &rdquo of naturalism vulgar; and, as pointed out by some of the comments. It meets my ideal, this ideal I in the beginning of this article, as the keynote —— harmony between man and nature is the art of the start and end point. In this sense I am anti-modernism. But I believe that it will meet the next coming of age: the pastoral poetry of the new era of people armed with computers.
