&Amp;ldquo; 51 ” during, is located in xinle road and enriching junction of reservoir really style Museum into has many art enthusiasts of a surprise “ found ”: free open of exhibited space in, Lin Fengmian of fisheries harvest under, and Zhu qizhan Zhan of fought storm in the under, and Cheng Shifa of daliangangtie figure under, and Ying Yeping of impregnable pass Don ' s say really as iron under, and thanks juvenile Willow of Chui wall tower under and Liu Dan House, and Zhang Peicheng of human friend under, style masters original, let people mubuxiajie.
as the true meaning of the first Shanghai Art Museum, Tibetan Shanghai Art Museum, officially opened the end of March. &Amp;ldquo; full moon ” return visit of the Museum, official said, on the one hand, from the exhibition situation, people love of Shanghai style painting unabated; on the other hand, lack of market interest in the style of calligraphy and painting long, Shanghai style of calligraphy and painting are always one of the reasons is severely undervalued.
Shanghai style of calligraphy and painting needs a “ ”
for Shanghai style of calligraphy and painting in importance in the history of Chinese modern and contemporary art, has become a consensus. Since the middle of the 19th century, gradually rising in Chinese art history one is called the style or artist cluster of sea painting school. It as the active center of Shanghai, absorb and leading the Jiangsu, Zhejiang and Anhui Provinces and even larger areas of art, the artist lineup of big, painting style of intricate, and culture change distinguished the momentum of the times and far-reaching effects, more than all of the local school.
“ for Shanghai's painting, I always thought it was a vast sea. &Amp;rdquo; contemporary style art representative figures in the works of famous Chinese painting of Shanghai, Cheng Shifa wrote in the preamble. Cheng Lao living times feeling: &ldquo Shanghai Shanghai style of calligraphy and painting in more than 100 years is a valuable wealth of the history of Chinese art, should have a dedicated Museum to display these works. &Amp;rdquo; a long time, establishing a specialized collection show style of classical painting in modern art museum, is the aspiration of Shanghai artists of several generations. But in the Tibetan style before the Museum opened, Shanghai has more than 10 companies, large and small fine art venues, has no special collection and display of modern Shanghai classical painting nor art venues has a modern style of classical painting of a specialized exhibition hall.
paintings price between 30 times growth
is looking forward to in the first &ldquo of Shanghai school art; ” birth at last. Tibetan style Art Museum opening rollout the hundreds of works on display, are from the Shanghai famous collectors really Shanghai art museum curator Wan Junchi, possession of more than 3,000 sites selected out of the Shanghai style painting collection. Wan Junchi said: “1979 year, Shanghai Office Shanghai ten members exhibition, I bought eight pieces on show. 30 years afterwards, I saw million times growth of Shanghai style calligraphy, some single work 600,000 times times growth. &Amp;rdquo; also in 1979, Wan Junchi from Cheng Shifa bought a map of the Dai nationality's wedding, “ painting when Mr Cheng Shifa's market price is $ 15 per square feet, the picture takes me 30 dollars ”. He was the first collection of a pair of Shanghai calligraphic works are half “ flying horse brand ” cigarettes in return.
Shanghai Art Museum, opened in January, almost every exhibition is inquiry, declined by Museum staff. Wan Junchi explained: &ldquo and I do not sell art. Art Museum, stable and durable is the State Museum of collections of works. From me personally, Shanghai Art Museum is to return these Shanghai painter's love, and completing their wish: let more people enjoy these paintings and calligraphy works, also Shanghai style of painting and calligraphy of the values more fully reflected. &Amp;rdquo;
value continuous efforts are needed
Wan Junchi, Shanghai style works of masters such as ren bonian and Lin Feng-Mian's style has affected Qi Baishi's style of painting, called Qi Baishi's teacher, but the former works with prices far lower than Qi Baishi, “ it is not reasonable. One of the reasons is because Shanghai style of calligraphy and painting are mostly kept in a ahalyse not since people know the &rdquo for a long time. The first establishment of the Shanghai Art Museum, could let Shanghai style calligraphy and out of the “ ahalyse ”? Wan Junchi, Shanghai Art Museum, will be held in one year about 10 heavyweight exhibition, promotion and display seaArtists. &Amp;ldquo; if Shanghai painter's personal works is good enough, I am willing to provide exhibition space for their show for free. &Amp;rdquo;
as style Museum of established raised industry on style painting of concern, industry persons also made has more problem: Shanghai of increasingly internationalization and China painting of China of Zhijian should rendering how a relationship? mainstream of style creation institutions is just play is located in the Shanghai of geographic advantage spit is satisfied that world art situation, also is should played up will style painting to world of duties? as city culture of products, style painting should has what of characteristics, let more people accept, and favorite? face new era of new topics, next-generation style painter also required continues to efforts.
