On April 5, the Executive Deputy Director of the Academy of fine arts painting Department of Tsinghua University, doctoral supervisor, Professor Liu Lin, Ching Ming holidays, disciples Liu Zi-carrying a special trip to the Chinese Academy of Lao Zi's painting and calligraphy, and Lao Zi's Academy of painting and calligraphy You Zhong, share art of painting and calligraphy, and unpaid leave precious works for Laozi's Academy of painting and calligraphy.
Liu Lin was born in 1959 in baishan, Jilin province. Professor Department of Tsinghua University Fine Arts Faculty, doctoral students, painting, Executive Deputy Director of the Department party branch Secretary, Vice President and Secretary General of the China Society of my hiep heavy color painting, Executive Director of the Institute of Chinese fine brushwork painting, Deputy Secretary General, Member of Chinese artists Association, Vice President of the Ministry of culture of modern meticulous Studio, Vice President of Beijing meticulous heavy color painting. Its teaching and research subject “ animation study on line drawing style ” access to the State administration of Humanities and humanistic social science project and the Beijing Municipal Education Commission two funding of the project, the subject fills the subject blank. Works of the girl, of the window, under the red and the space in the mountains, such as the fly elected to the national fine arts exhibition. And take what is wanted from a collection-Chu version — fine brushwork painting spirit of research and teaching, the Liu Lin album brushwork, Liu Lin line drawing of the set, the line drawing style Foundation, and the animation sketches basic political rights, the Chinese contemporary artists ' — Liu Lin, and the aesthetics of Guide (co-author), several monographs are fine brushwork of influential members at home and abroad.
Liu Lin works of lines and shapes, great “ NG with when the wind ” the spirit of, its color is “ first hibiscus, natural and lovely ”. His early painting is more focused on unity of lightness, purity and hue in the color of subtle changes, such as the yiminhe, such as the setting sun. After 2000, Liu Lin obviously under the influence of traditional Chinese realistic painting in the Song dynasty, created the series, the long series of ancientry, and so on to the subject of still life works, the color is more unified delicate, full of scholars ' interest, like the glass of a cup of tea, savor the pleasant. These works and the parallel development of figure painting, influence each other, complement each other, especially in the autumn and dusk, and the LU Xun and QU Qiubai, the picture appears in a “ Hu XI mad XI, which like, mad XI Hu XI, including ” the beauty of dense.
Liu Lin is a typical academic, scholarly art we, Foundation deep, visibility, while adhering to “ freedom of thought, all-inclusive ” the academic attitude, on the other hand believe in “ Western ” 、 “ &rdquo in the run to the West; arts advocate. He has been in the article, you will Mogao grottoes frescoes, Yongle Palace frescoes and compare the Sistine fresco of the Genesis, also still writing experience in painting of Matisse, Picasso's point, line, surface and distinction of literati ink paintingThe same, and thus found difference and similarity of Chinese and Western painting line shape, try in the process of integration of Chinese and Western art to create new genes. With the words of critics in the industry: Liu Lin &ldquo of painting; the essence of traditional and modern aesthetics and taste perfectly together. And through ancient and modern, and foreign, freedom of thought, the spirit of independent, indeed, respectable, and his Chinese figure painting is therefore to be able to take sperm used in a macro to show wisdom, heart, elegant and unique artistic conception in vivid writing. ”
By realistic means of creating non-reality is the artistic conception of Liu Lin reinterpret on modern meticulous brushwork. Implemented in a real expression of implicit hazy beauty of silence, in simple concise reflected rich and exquisite. On the color processing, subjective Visual factor is greatly strengthened, not complying with the objective truth, and emphasized the subjective factor, regroup after the color processing, the pursuit of a harmonious and quiet space to achieve unity of spirit and nature of the world into the perfect mood. Mr Liu Lin does not deliberately to create so-called new techniques, to eye-catching; does not manufacture racking and away from the fine brushwork of ontology, but understanding and emotional interpretation of personification of injection in the picture, to add its vitality, widening the fine brushwork on old space and awareness in the infinitive.
Removing Polish, not to please, with pictures to express their inner emotional understanding into their patrons into the spirit of personal character. Former Vice Political Commissar Lieutenant Li Qingyin Chinese people's armed police force, the Chinese people's armed police force Logistics Department Director of cadres in the Lahn, Laozi's public welfare funds for cultural development in China Su 凊jie, Deputy Director of the Administrative Committee, had also invited Chu seats of Laozi's Academy of painting and calligraphy painting and calligraphy of China art Exchange.
