2nd 2011 year, organised by the collectors Association of Jiangsu Province and Nanjing city Xinhua Bookstore of Salon: the change of the Millennium of Chinese personal —— words of Song dynasty furniture study's significance in Nanjing xinjiekou Xinhua Bookstore 13 floor, conference room. This activity is Xinhua book store “ book lucky ” plays the theme series for the new year, Jiangsu Province, as a dialogue between scholars and collectors of high end furniture salon for the first time to become experts in this area in our province are most concentrated in the history of gathering. Attended Salon of has: Jiangsu Province collectors association, President of Xu Huping (Nanjing Museum Qian Dean), and first Deputy, President of Shi Zhengdong, Jiangsu Province classical furniture Committee Director, and Jiangsu Province postal company General Manager Gu Wen, Nanjing Ming type Furniture Society honorary, President of Li Tao, Nanjing art college Bo guide Zhou Jiyin Professor, Zhejiang University people faculty Deputy Dean Huang Houming Professor (national excellent Dr papers get who), Southeast University Art College Zhang Yan Professor, and Bo guide Wang Xiaoyang Professor, Southeast University Press President Jiang Jianzhong, and Deputy President Liu Qingchu, Nanjing forestry University furniture College Dean Bo guide Wu Zhihui Professor, and Bo guide Zhang Binyuan Professor, and master guide Shao Xiaofeng, Associate Professor, and master guide Lv Jiufang, Associate Professor, Nanjing view puming type furniture museum curator Lei Puwei, and new Visual art under implementation editor Lv Shaoqing, and Nanjing art college postdoctoral blindness, more than 20 more than expert. Jiangsu Province artists Association Vice President, Academy of fine arts tutor of Nanjing Normal University and Tongji University Professor Li Xiangwei professor tutor of Wan Shuyuan of aesthetics and art criticism, although unable to attend the salon, but submitted a statement exchange draft. Salon by the Jiangnan University, Director of the Institute of Visual culture, Taihu academics Professor and doctor tutor of Gu Ping, Shao Xiao-feng, of the furniture in the Song dynasty of China (Southeast University Press, national postdoctoral Foundation-funded project, 25 programming focused on publishing books in Jiangsu Province) that fill major repercussions at home and abroad long-term academic gaps, new book as a carrier, talked about the people living the change of Millennium. Discuss people daily change of the way, reveal the significance of research on furniture in the Song dynasty.
Shao Xiao-Feng new book of the furniture in the Song dynasty in China (Southeast University) printed matter that indicates the type form or partial content of books and periodicals
field
Shao Xiaofeng rose chair, for example in the song to explore the change of Millennium people living
First, select —&mdash in the Song dynasty; a special &ldquo of past ” The Song dynasty (960—1279), is divided into the Northern Song dynasty and Southern Song dynasty a two-stage in its history, including the Liao, Jin, which lasted for more than 300 years, was in the past and the future of the period. Weak GovernmentGovernance, economic prosperity, “ blue Bunya ” culture, like a carrier full of contradictions. As facilitator, introduced by Professor Gu Ping: “ the Song dynasty Chinese, is a special &lsquo of past ’, especially cultural. Guoxue Master Chen Yin-Ke had said ‘ culture of the Chinese nation, list thousands of years of evolution, in Zhao Songzhi. &Amp;rsquo; United Kingdom famous history scholar Joseph Needham's science and technology have joked that, if a person can live twice, I'm willing to live in the Song dynasty of China.
” Is so charming in the Song dynasty, it is the one we are looking back at history today, and furniture in the Song dynasty was research into objects. It is not just an instrument closely related to human life, more of a cultural carrier of cultural spirit and aesthetic ideals, loaded with song and culture unique charm. However, Mr Shi Zhengdong sigh is: “ a history with 5,000 years of culture, country of 1.5 billion people, and our lives are at stake, for almost 24 hours be separated from the everyday furniture, 320 years not many people in the study of Song dynasty.
” Dr Shao Xiaofeng became the systems furniture, and the first person in the Song dynasty. Of course, he also said that the furniture as a research object in song select, difficult. &Amp;ldquo; for example, age, physical scarcity literature bulk, unclear image to worn and torn or dampened and therefore illegible, the majority, researchers such as rare. Therefore, the Ming and Qing dynasty furniture research and heat for 20 years, and furniture studies started in the Song dynasty, Wang Shixiang on value of furniture in the Song dynasty was of great emotion, but there is no further effort. &Amp;rdquo and, secondly, “ furniture in the song over the years how to Master objects, charts, text in the field of information and research on mining is the biggest challenges, and the kind of Song dynasty furniture, image and document comparison and mutual verification of information research, can promote the organic combination between the three. A number of case studies, such as the furniture in the Han of the Night Revels of new interpretations of the chronology, the Empress, as in the Song dynasty in the Royal furniture, furniture of Xuanhua in the Liao dynasty tomb murals. Is the basis of this research requires a large amount of relevant information. Archaeology of art furniture research and good must be used in the Song dynasty. Three mutual verification so that you can get a lot of results.
” At the same time, he also presented her professional advantage for difficulties in light of its own methods of solution and understand. &Amp;ldquo; the study not only the use of modern information technology to widely collect the required text and image information, and use a variety of computer graphics software to analysis than the furniture in the Song dynasty reflected in the painting. Graphics drawing has been plaguing the furniture the research bottlenecks in the Song dynasty, if there is no such work, furniture in the song will not be able to show in the world, people cannot continue to study. Authors spend a lot of effort to redraw the image of a large number of Song dynasty furniture, also worn and torn or dampened and therefore illegible for many is not clear, only to see too many local, were people blocked, according to the furniture carefully restored the form and structure of work, which has laid a good foundation for further study. After finishing out of more than 1600 much picture information as a basis for specific studies on posterity. &Amp;rdquo in addition, “ in the Song dynasty painting a variety of mapping methods and level do not align, so, for the faithful to the original, many adapted to focus today, after finishing line drawing perspective readers appear to be less ‘ accurate ’. Furthermore, most using ‘ oblique perspective ’ drawn graphics much like today's axonometric drawing, some also occur against perspective, these are the so-called ‘ real ’ understanding-related, not simple neglect.
” Topic selection and research methods for Dr Shao Xiaofeng, experts say the opinion, that reflects the authors both in choosing profound understanding of the significance of the creature in the Song dynasty culture, and reflects the author of this predecessor ignored the discovery and development of the academic field of vision. Among them, Professor Zhang Yan completely summarizes the views of many scholars: “ first, because the book selected node is very good, if it is a study on the Ming and Qing furniture, it is difficult to surpass Wang Shixiang, because Wang Shixiang's reputation is too high; if it is a study of Han and Tang dynasty furniture, Han and Tang dynasty furniture itself has not matured. Is in the Song dynasty furniture from low to high to sit in a transition period, is furniture just mature period, and our culture's most prosperous period, but no one period of study. Secondly, research methods in this book are particularly good. Song dynasty art, less furniture. Shao Xiaofeng draw deductions from the furniture, with line drawing to colour. If Wang Shixiang of the research on Ming furniture is not his wife Mr Yuan as his paint, colour reduction by half. Also, if line-drawing diagrams of Shao Xiaofeng removed, color version and text left, half of his book to subtractive. ”
Second, fill in the blanks, remains For relaxation of the adoption of the Chinese Song dynasty furniture structure, smooth and natural writing and incisive and powerful insights on the discovery of a rational analysis of the images, historical, physical and organic Exposition, to perfect the cultural study of Chinese traditional furniture system made aPart, in the following aspects of the theory of meaning is impossible to ignore. First, the study of furniture in the Song dynasty filled the blank in this field of study at home and abroad. Mr Shi Zhengdong analogy is very good, &ldquo, like bridges, because Flash flood outbreak come off for some, the cut to fill it up, can reach the other side of this bridge. &Amp;rdquo; therefore, on the furniture in the Song dynasty of China is such a rich thick under the Tang dynasty furniture, concise pristine bridge of Ming-style furniture, do more than just shiyibuque, also a is the cross-age work.
Therefore, the book will load the history of Chinese furniture. Secondly, Dr Shao Xiaofeng's research was vividly described by Professor Zhou Jiyin “ start ” and “ are higher prices than bricks, strong than jade, is actually good jade left the block out, is to find better tamarai.
&Amp;rdquo; therefore, many experts have suggested a different views on the subject of follow-up study and prospects. For example, Mr Xu Huping said: “ want next to a furniture research works of the Tang dynasty, and further back. This makes sense, there are academic values, secular must be from, but really needs its own grasp. &Amp;rdquo; raised again Mr Gu Wen: “ top of the Ming and Qing dynasty furniture is furniture in the world, it is recognized, but now the world is concerned about a quantity to change process, from Cork to hardwood process of qualitative change. Is in the Song dynasty Chinese furniture of the history of the quantity to change process, along with the furniture production tools, furniture form the great changes. This period is precisely the comparative lack of research on Chinese furniture piece, therefore, if the research can be, the whole world will pay attention to this evolution.
&Amp;rdquo; and Liu Qingchu Mr made of “ furniture from low SAT to high SAT of development, from furniture of angle see minority of culture on Han of effect ”; Lei Puwei Mr made of song furniture of recovery work; and author made of Buddhist furniture of in-depth system research, and remains real furniture of wood mass identification and surveying and mapping, and song furniture and Ming type furniture Zhijian of further relationship of carding, and Tang dynasty furniture and Yuan generation furniture of further research and so on, are is from song furniture research in the by leads of “ jade ”. Finally, the book in addition to the furniture itself, and it also has a lot of expansion. For example, song culture's active role. Professor Zhang Yan feeling road: “ we such an impetuous era, more grandiose appearance more hide hold inner pale, less and less down things. Learning culture in the Song dynasty era of spirit can give us such an impetuous had a needle tonic. &Amp;rdquo; again, furniture and architectural history research on mutual assistance in the Song dynasty. As Professor Zhang Binyuan said, “ furniture is the narrow building, the building was enlarged furniture ”, so one can say that is a record of the history of furniture architectural history, and numerous components, in the building structure coincides with the furniture, and song of the Yingzao Fashi study on furniture in the song can also be used as a breakthrough.
Third, the influence on contemporary design In the modern design of his own today, designers should think the deep connotation of Chinese traditional culture. Traditional and modern elements in the design, you will adapt is a mainstream trend.
Research on Chinese traditional physical culture of Song dynasty furniture concern and attention of, the results of its research on the contemporary design art has a revelation and to deepen the cultural connotation of modern furniture design and interior design.
Therefore, Dr Shao Xiaofeng exploration of furniture does not stay in the furniture itself, Professor Wu Zhihui also express the same meaning, &ldquo provincial collectors association is a collection of furniture, we are studying furniture, there are two different points, but the focus is on the furniture ”, and study furniture requires not only Bo gu, it is through this. Dr Shao Xiaofeng rose chair of research, for example in the Song dynasty. He in which get has various surprised of found, “ song rose chair (folded back sample) of structure concise main reflected of is function sexual of structure, widget more fine thin strong, almost will Framework type structure streamlining to has cannot then reduction of degree, who no material and technology Shang of waste, later Western modern doctrine design in the of some simple style of furniture and this is coincides of. Such as, Song Ma Yuan West Park refined scholars gathered figure under, and song Anon shangshan four Opteron Huichang nine old figure under, and song Anon Southern Tang text will figure under, painting in the of rose chair on are is condensing, full to structure mainly, even no teeth head, and teeth section, and teeth Board of reinforcement and decoration, reflected has later modern doctrine design concept in the of ‘ purely of structure is a US ’ of aesthetic features. For example, the Bauhaus and outstanding graduates, Hungary designers Marchais &Bull; bulaoye in 1925 as the architect of Kandinsky's designAgree without prior consultation of the Tarlev, Vasile Chair rose chair in the Song dynasty in China (folding back) some aesthetic characteristic structure. For example, the anonymity of the Southern Song dynasty in the map of shangshan four Opteron Huichang nine old rose chair (folding back) and bulaoye of the Tarlev, Vasile, lecarbusier the basikulan Chair of the Chair are agree without prior consultation. Song and anonymity in the Bachelor of 18 rose chairs (folding back) and Finland yrjo kukkapuro design masters of the steel chair, the Chair of the Conference also exist that link.
”
We even can found, from song Anon Lohan under in the of rose chair (folded back sample), and Song Liu Songnian seasons landscape figure &Bull; summer under in the of chairs, to modern doctrine design of monument —— Netherlands design master litewei and de red blue chair under, and yrjo kukkapuro meeting chair under, and bamboo set lumber chairs under, seems to has a section line will they series up. He put together 10 pieces rose chair in the Song dynasty, their defeat the many with the few advanced structure and aesthetic ideas, called pioneers of modernist aesthetic and minimalist design. Contact today, 1000 years of design and art are perpetuating, Song dynasty scholar proactive advocate of structuralism, concise, and Western designers launched in the context of industrialization between functionalism was quite agree without prior consultation, furniture, Interior and architecture are reflected, which deserve in-depth study.
Visible, “ the song rose chair in change of the Millennium road to contain unchanged &rdquo.
The Chinese book of Song dynasty furniture furniture in the Song dynasty and later art concept and style of furniture design, modeling and comparative study of the structure, truly reflect the furniture in the song slightly “ ” “ Tai Mei ”, its implications are equally worthy of attention in contemporary design. Li Xiangwei professor said: “ book will theory research and image research brings together one, to figure card history, solution has many predecessors is not solution of problem, for we provides has one rich academic value of monograph, its research results for contemporary of we how ‘ will condensation Yu forming artifacts of Builder traditional be solutions frame, restore to wealth generated sexual and liquidity of thought concept and thought process and method, to formation on traditional of understand and grasp ’, turn expand we of modern design thinking, should has is good of enlightenment role, while also for descendants of related research laid has is good of Foundation ”. Professor Wan Shuyuan is proposed, the furniture in the Song dynasty of China is a great brilliant work. However, we would like to emphasize not the head of the Department of —— today's academic, Tome often suspected of concealing content-poor —— but the author's academic courage. Why Ming dynasty furniture so researchers ' attention? It is natural to say, because the development of Chinese furniture of Ming furniture is top. This is good, but this is not the only reason. Save the furniture of the Ming dynasty, and accumulation of research results, physical evidence and dialectic is also easier, wouldn't have too much difficult to study. But, song furniture is different, its real save who rarely, many material only with same era of painting, and sculpture and party records in the of prints, vast of information and literature indirect gets, research difficulty is large; and, song furniture research of range comparison complex complicated and confused, from history of evolution,, from song to song, continued 320 years, from dynasty,, is apart from song and song, also has Liao, and gold, and xixia and Dali, not only cover of geographical broad, also involved to multiple national. Idea a lot, leads ever. Faced with this difficult situation, the author dares on the difficulties and achieved quite good results, it is rare.
Practical significance of the spirit of the four, research
The furniture is the author of the Song dynasty of China results five years rubs a sword, during which Dr Shao Xiaofeng worked tirelessly to absorb new knowledge, and filled, modified from time to time in order to perfect, end the full of the joy of the landmark, the practical study of rigorous scholarship and spirit of many scholars unanimously praise. Wu Zhihui Professor: “ in our discipline, Shao Xiaofeng is still able to sink down to do. Now, of course, many young people were very impetuous, impetuous, not possible with great concentration to do, because he wants to find a lot of information. ” Professor Zhou Jiyin also said “ his own accomplishment is better, also loves reading, the book more. His knowledge is very wide, very rich. Out of a collection of very thick before, including articles, history, literature, aesthetics, philosophy in all its aspects are covered. &Amp;rdquo at the same time, Wang Xiaoyang said: “ I read his works was very moved, in the case of materials are hard to come by, can find 1600 pictures is quite easy, and there is a considerable amount of information is hand-drawn, 1600 pictures representing 1600 information only from the chronology is very simple. &Amp;rdquo he mentioned, “ I with students, there are many master's theses refer Xiao feng's articles, I as Xiao Feng said he was happy”。 Mr Xu Huping even with all of China's top player, heritage collection, Wang Shixiang match, in his view, “ Mr Wang Shixiang study of Ming furniture is a contribution to national, two-thirds is the plate, one-third is his research, mainly for his own collection of furniture. Shao Xiaofeng then collected a large quantity of literature, history, physical information of various image information as well as archaeological, it is very difficult. Now the society is very impetuous, people hurriedly seek. I am 38 years old in Nanjing Museum do the General, Shao Xiaofeng in the age of 38, you write this kind of work, this is the product of the times, hoping his rashness. And efforts to complete the work, is extremely valuable! &Amp;rdquo; says Professor Huang Houming resonated with: “ first, Xiao Feng from southern Normal University art graduate to national brand of furniture specialty South forest after work, he can use such an academic advantage to develop their own, and to study their own and work platform combines get significant results, are a matter of respect. Second I resonate with is, although Xiao Feng is a painting of descent, but in his book the method used by many archaeological methods. He not only concerns documents material, is also concerned about the archaeological material, resonate with this had on the subject. Xiao Feng is a relatively rigorous academics, he is not doing qualitative research, such as in his book made use of Gu Hongzhong in the Han of the Night Revels of, his cohort study is relatively conservative, he thinks may be of Song dynasty painting, writing in the Southern Song dynasty. The conclusion I was approved, but I would say that is another topic, we look at the image, to be wary of an academic, to judgment on the nature of the image science.
” Speak of these experts are Dr Shao Xiaofeng in academic research certainly hard to pay over the years, is to present some scholars impetuous pride extravagance in wind prevails a criticism and introspection, guiding many young scholars to be more practical, rigorous scholarship. When even in the case of interdisciplinary research, also needed meditation, modest, sincere to step out of the difficulty. Has the study of academic spirit, to provide more mature for China's road of academic theoretical wisdom and strength, to lead it to a correct direction.
Five, a sense of more than The publication of the furniture in the Song dynasty of China filled the blank in a furniture research field for a long time in the Song dynasty, was critical to rewrite the history of the history of furniture and painting some of the content, for subsequent study of the furniture in the Song dynasty in China to provide a valuable picture and text information. In the context of our time in-depth research and dissemination of furniture and the spirit of the Song dynasty, helps to build modern furniture design and internal bridge between users, better correspondence between spiritual and cultural needs, created within the traditional aesthetics and spiritual pursuit of &ldquo under the new historical period characterized China design &rdquo style.
